“God is the potter and I am clay. He is breaking me, He is molding me.”
“But now, O LORD, thou art our father; we are the clay, and thou our potter; and we all are the work of thy hand.”
– Isaiah 64:8
“Clay” is a song of yielding — the surrender of the created into the hands of the Creator. It begins with a simple recognition: God is the Potter, and we are the clay. He knows the shape He intends, and we give Him permission to form us accordingly.
The breaking and molding in the song are not without purpose. Again and again comes the reason: “to become like Him.” The prayer is not simply for circumstances to change, but for the person within them to be transformed — for everything resistant, misplaced, or formed apart from Him to give way beneath His hands.
“May I come to the end of myself, so that I can enjoy the fullness of God.” There is freedom in reaching that place: where self-will no longer has to preserve its own shape, and the heart can trust the Potter enough to be remade.
“Clay” is ultimately a prayer of availability. To say I am clay is to acknowledge that the work is His — and to make room for Him to do it.
Break me. Mold me. Remold me. Make me more like You.
"Vol. 3: Back To Eden" is the latest in the series of the powerful AO1 sound.
Each lyric was birthed in secret places of prayer and offered through voices who yielded to the Spirit’s leading. Together, they form a testimony of true fellowship, of full confidence in God's original intention, and of what Eden represents.
This volume carries the sound of return — of surrender, restoration, and becoming again what we were always meant to be. From the breaking and remoulding of Clay, to the childlike surrender of Like a Child, to the longing for restoration in Back to Eden, every song draws us away from what we have made of ourselves and back to the One who made us.
Here, to return is to surrender. To return is to be restored. To return is to become again what we were always meant to be — wholly His, living for an audience of One.
%20607-4524.png)